As my learning outcomes have pointed to, composing for film is something I really wanted to explore with this project. As we have five films to work on, all of them need music. However, my input to this process only requires composition services for one of the films, Remember.
The director has been pretty adamant with what he would like for his music, however I feel as though this certainly doesn’t fit with what the film requires. With it being a very serious film, Remember, in my opinion, needs very serious music. Whilst the main ideas I have been coming up with fit certain parts of the film, for example the introduction and credits, some of the middle-sections I feel haven’t particularly challenged me.
Remember has been very difficult to compose for, purely because each time I present a piece of music to the director, it isn’t what he wants, or he just doesn’t like it. This has gave me only one option, and has forced me into sitting the director by my side for three hours whilst I compose in front of him, constantly checking he is happy with what I have written. I have done a little composition for film before, and I am almost certain that this is not the normal way this element of the soundtrack is dealt with. However, this has resulted in a fully-scored film (if you can call it fully-scored) that the director is happy with. I, personally, am not. I had a completely different vision for the films music, however I do understand that in the real world, the director will always have the final say, so I did my best to make sure that he was happy with the music he was given, even if i feel as though it doesn’t best reflect my ability, nor does it really fit the film in parts.
I would very much like to revisit some of the music, as it has all been created using software instruments, and whilst for piano, and synthesisers this works quite well, anywhere in the film that incorporates strings sounds fake to me. Performing these parts on a real violin for example, would have sounded far better. However, given the difficulty of getting the director to accept any of the music I produced meant this wasn’t really an option as the project draws to a close.
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